Cellist Christina Mahler was the soloist for Haydn's Concerto for Violoncello in C Major (HOB VIIB: 1). A smiling and personable [Jeanne Lamon] introduced the work, explaining how it demonstrated a newly discovered technique in its time -- a thumb position allowing the cellist to play more quickly while employing a greater range.

Simphonie Concertante for Two Violins in B Flat Major Op. 6, No. 2 by Le Chevalier de Saint-Georges, an early classical composer born in Guadalupe and raised in France, featured violinists Julia Wedman and Aisslinn Nosky. The energetic pair attacked this work with fervour, much like duelling violins.

The concert ended triumphantly with a succinct reading of Mozart's Symphony No. 29 in A Major (K 201). Lamon guided them through the strongly accented Allegro moderato, the sensitive Trio, exciting galloping motive in the Menuetto, and the thrilling runs of the final Allegro.