Index

• Pages: 553-561

553

EE

Index

Academic science, 253, 460–61, 463, 464–67,

468, 472, 473, 475, 479

Access Copyright, 175, 179, 229, 245, 529

Access to knowledge (A2K), 21, 302, 329,

419, 422, 426, 434, 436

Access to Knowledge in Africa: The Role of

Copyright, 433, 543

Accountability, 88

Ackerman, Jennifer, 159–60

Actor Network Theory (ANT), 139–40, 146,

147, 151, 152, 161

Actors, 13, 30–31, 139, 140, 142, 146, 147,

158, 159, 165, 168, 170–71, 174–75,

177–78, 180–83, 185, 186, 215, 219–20,

223, 224, 225–26, 247, 279–80, 333,

334–35, 411, 460, 496, 497

Actors Equity, 223

Adaptation right, 25, 26, 27, 29, 38

Adaptation skepticism, 25, 27, 31

Adaptation studies, 26–27, 33, 35

African Copyright and Access to Know-

ledge project, 21, 419, 422

Agreement on Trade-Related Aspects of

Intellectual Property Rights (TRIPS), 72,

82, 92, 172, 290, 330, 331–36, 342–43,

346, 453

Alliance for Commercialization of Can-

adian Technologies (ACCT), 172, 465

Amazon.com, 441–42, 443, 445, 451

Ambush marketing, 19, 501–14, 515, 519–20,

550–51

Ambush marketing legislation, 22, 501,

503, 509, 511–16, 518, 520, 550

American Federation of Musicians, 206,

207, 219, 220, 239

American Federation of Radio Artists

(AFRA), 206, 207, 219, 223–24

American Indian Movement (AIM), 382

American Society of Composers, Authors

and Publishers (ASCAP), 233, 238–41

Anti-ambush legislation. See Ambush

marketing legislation

Anti-Counterfeiting Trade Agreement, 166–67

Apple Computers Inc v Mackintosh Comput-

ers Ltd, 50

Appropriation, 21, 29, 54, 56, 138, 147, 155,

257, 262, 344, 354, 368, 369, 370–71,

372–75, 376, 380, 381, 382, 383–84, 385,

389, 391, 397, 401, 406, 409, 411, 413

Appropriation art, 21, 368, 370, 371–76,

379, 380, 381, 384, 385, 386

Appropriation Art Coalition (AAC), 377,

378, 380, 381

Armstrong, Jeannette, 383

Artistic works, 67, 199, 200, 201

Artists, 48, 148, 179, 182, 195, 196, 198, 209,

212, 216–19, 221, 243–44, 261, 267, 372–

73, 375, 376–77, 378–86, 394, 415, 530